Scottish wedding bagpiper for hire

What can I do?

Hopefully this video will provide all the information you need on how I approach weddings and what I can offer.

As standard I will play as your guests arrive for the ceremony. I start playing around 1 hour to 45 minutes before the ceremony (depending on the location) and will play a medley of tunes at this point.

From here on in, everything is optional depending on the format of your day.

Sometimes it’s nice to play for the early-arriving fiancé(e) as they reach the venue, which I am happy to do if you like, and will welcome input in tune selection for this moment.

Suggested tunes:

  • Black Bear
  • A Man’s A Man (For A’ That)

The fiancé(e) arriving by car immediately before the ceremony is a moment to celebrate, and should be announced to the world with the sound of the pipes.

Suggested tunes:

  • Loch Lomond
  • Skye Boat Song
  • Ye Banks and Braes O’ Bonnie Doon

Obviously if you’re already staying at the venue you’re not having an “arrival” per se, but I can still play you from your room to the ceremony if it’s desired.

Again, for this moment, I will welcome input into tune selections.

Not everyone wants to have the bagpipes for the ceremony, but I’m happy to keep playing!

Processional (down the aisle)

I will generally lead the fiancé(e) and the bridal party into the room. Depending on the size of the room I will either go all the way to the altar or stay at the back near the entry door so as not to destroy everyone’s ears.

I’ve played all kinds of tunes at this point, including:

  • Highland Cathedral
  • Amazing Grace
  • Loch Lomond
  • The Dark Isle
  • The Rose (Bette Midler)
  • 1000 Years (Christina Perri)

Of course, if the ceremony is outside, none of this is a major issue.

And of course, if both partners are venturing down the aisle at the same time or slightly apart from one another, that’s no problem at all – we can do one tune or two!

Signing the register

As the register is signed, it can be nice to have pipes in the background. unless the space is big enough, smallpipes are usually better here.

Again, all kinds of tunes work, but slow airs and ballads work best:

  • Caledonia
  • Ye Banks and Braes of Bonnie Doon
  • Skye Boat Song
  • Braveheart (For the Love of a Princess)

Recessional (back up the aisle)

This part is naturally the most fun and needs the full Highland bagpipes. If however you’ve already got music set aside, I can stand outside the ceremony venue (especially in a church) and wait for you both to emerge at the door and start playing.

Usually something amazingly upbeat with lots of pomp and ceremony works here:

  • Mari’s Wedding
  • Glendaruel Highlanders
  • Scotland the Brave
  • Cock O’ The North

Smallpipes?

Because the Highland Bagpipes are very loud (especially in small rooms and churches), you can choose to have smallpipes played at this point for all three or just the register.

The instrument sounds mellower than their Highland siblings, but nonetheless work just as well. Importantly, no one will suffer hearing loss in a small room…

Usually the recessional will lead straight to the photographs and assuming the weather is nice we can head straight outside for photos. During which time I will play in the background as the photos are taken.

Of course if the ceremony is in a different venue from the reception I will play for a short while and then head over to the reception venue to play for the guests arriving.

If the weather is not so agreeable I can stay inside and play my smallpipes somewhere – as they’re 1/3 of the volume of the Highland pipes it won’t get in the way.

This is actually an ideal place to make use of one of my other instruments >>

When it’s time to eat, the newlyweds need announcing into the room in style.

The call to dinner

Most people just have the coordinator at the venue invite guests to their seats, but it can be nice to be piped into the dining room.

The top table

Depending on your needs, you and your new spouse can be piped to the table, or I can play in the rest of the top table first and then yourselves. You may also wish to stop via the cake en route to your table, but that’s up to you.

Typically I will play “Highland Laddie” as I lead the newlyweds to their table.

The toast to the couple

In any case, when we arrive at the table, I will toast you. Of course every toast to every couple is unique, but will always feature the Gaidhlig blessing:

“Mìle fàilte dhuit le d’bhréid, Fad do ré gun robh thu slàn. Móran làithean dhuit is sìth, Le d’mhaitheas is le d’nì bhi fàs.”

After this point I will play myself out of the dining room, usually to “Scotland the Brave”

After the meal it’s time to turn around the reception room for the evening guests arriving.

I will wait at the door of the venue ready to play for the evening guests arriving as I did earlier in the day for the ceremony guests.

If you have chosen to wait for the cake cutting until the evening, I will play you into the room again for the cake cutting, or at the very least for the first dance. This is another opportunity for you to be announced into the room for your evening guests

Beyond this, there’s seldom any room left for the piper, although that’s not to say it’s not feasible.

If you need me to do anything after this point in the evening I am more than happy to discuss this with you!

Music choices